Friday, March 30, 2012

simple as that.


We all have the potential to fall in love a thousand times in our lifetime. It’s easy. The first girl I ever loved was someone I knew in sixth grade. Her name was Missy; we talked about horses. The last girl I love will be someone I haven’t even met yet, probably. They all count. But there are certain people you love who do something else; they define how you classify what love is supposed to feel like. These are the most important people in your life, and you’ll meet maybe four or five of these people over the span of 80 years. But there’s still one more tier to all this; there is always one person you love who becomes that definition. It usually happens retrospectively, but it happens eventually. This is the person who unknowingly sets the template for what you will always love about other people, even if some of these loveable qualities are self-destructive and unreasonable. The person who defines your understanding of love is not inherently different than anyone else, and they’re often just the person you happen to meet the first time you really, really, want to love someone. But that person still wins. They win, and you lose. Because for the rest of your life, they will control how you feel about everyone else.

Chuck Klosterman, Killing yourself to live: 85% of a true story

Wednesday, March 21, 2012

because when you cross a street, you seem to be making love to the entire thing


"All the cows were falling out of the sky and landing in the mud.
You were drinking sangria and I was throwing oranges at you,
but it didn’t matter.
I said my arms are very long and your head’s on fire.
I said kiss me here and here and here
And you did.
Then you wanted pasta,
so we trampled out into the tomatoes and rolled around to make the sauce.
You were very beautiful.
We were in the Safeway parking lot. I couldn’t find my cigarettes.
You said Hurry up! but I was worried there would be a holdup
And we would be stuck in a hostage situation, hiding behind
the frozen meats, with nothing to smoke for hours.
You said Don’t be silly,
so I followed you into the store.
We were thumping the melons when I heard somebody say Nobody move!
I leaned over and whispered in your ear I told you so.
There was a show on the television about buried treasure.
You were trying to convince me that we should buy shovels
and go out into the yard
and I was trying to convince you that I was a vampire.
On the way to the hardware store I kept biting your arm
and you said if I really was a vampire I would be biting your neck,
so I started biting your neck
and you said Cut it out!
and you bought me an ice cream, and then we saw the UFO.
These are the dreams we should be having. I shouldn’t have to
clean them up like this.
You were lying in the middle of the empty highway.
The sky was red and the sand was red and you were wearing a brown coat.
There were flecks of foam in the corners of your mouth.
The birds were watching you.
Your eyes were closed and you were listening to the road and I could
hear your breathing, I could hear your heart beating.
I carried you to the car and drove you home but you
weren’t making any sense
I took a shower and tried to catch my breath.
You were lying on top of the bedspread
in boxer shorts, watching cartoons and laughing but not making any sound.
Your skin looked blue in the television light.
Your teeth looked yellow.
Still wet, I lay down next to you. Your arms, your legs, your naked chest,
your ribs delineated like a junkyard dogs.
There’s nowhere to go, I thought. There’s nowhere to go.
You were sitting in a bathtub at the hospital and you were crying.
You said it hurt.
I mean the buildings that were not the hospital.
I shouldn’t have mentioned the hospital.
I don’t think I can take this much longer.
In the dream I don’t tell anyone, you put your head in my lap.
Let’s say you’re driving down the road with your eyes closed
but my eyes are also closed.
You’re by the side of the road.
You’re by the side of the road and you’re doing all the talking
while I stare at my shoes.
They’re nice shoes, brown and comfortable, and I like your voice.
In the dream I don’t tell anyone, I’m afraid to wake you up.
In these dreams it’s always you:
The boy in the sweatshirt,
The boy on the bridge, the boy who always keeps me
from jumping off the bridge.
Oh, the things we invent when we are scared
and want to be rescued.
Your jeep. Your teeth. The coffee that you bought me.
The sandwich cut in half on the plate.
I woke up and ate ice cream in the dark,
hunched over on the wooden chair in the kitchen,
listening to the rain.
I borrowed your shoes and didn’t put them away.
You were crying and eating rice.
The surface of the water was still and bright.
Your feet were burning so I put my hands on them, but my hands
were burning too.
You had a bottle of pills but I wouldn’t let you swallow them.
You said Will you love me even more when Im dead?
And I said No, and I threw the pills on the sand.
Look at them, you said. They look like emeralds.
I put you in a cage with the ocelots. I was trying to fatten you up
with sausages and bacon.
Somehow you escaped and climbed up the branches of a pear tree.
I chopped it down but there was nobody in it.
I went to the riverbed to wait for you to show up.
You didn’t show up.
I kept waiting."

i had a dream, Richard Siken

Thursday, March 15, 2012

in the space between yes and no, there's a lifetime.


Happiness is lounging around in my room with red wine, listening to The Doors and Creedence, reading JG Ballard’s Cocaine Nights and eating gummy bears until my tongue gets all chewy and disgustingly sweet. It’s all I want sometimes. There’s plum incense burning and also some hyacinth oil that makes the air so thick it’s almost irrespirable. Sometimes I laugh at it and imagine myself a heavily bosomed spinster, who writes letters incessantly, letters that smell of perfume and old whiskey. They’re full of such delicious thoughts, my nights.

The scars on my knees, the leftover food in the refrigerator (dried up pineapple it is), the bad singing from the apartment next to mine, the pain caused by my last wisdom tooth piercing away the flesh, the impossibility of keeping my tongue out of the way, the exacerbation, the silly laughter that comes afterwards, the sweet nothingness which flutters from the TV’s screen, always on AXN, always some shitty crime series airing, a half complete cigarette, diet coke which fizzles on my tongue (I know, a blasphemy to the red wine mentioned beforehand), the rainbow sprinkles from excessive rubbing of the eyes, the package received in the mail the other day, the sound of wind escaping through a small gap in the window, the dampness in my hair, the chipped red varnish, the hurried glimpse at the vintage musical box, unplayed, untouched for so long, the black high-heeled shoes that always stay near the bed, though they’re never ever worn, the pictures on the wall, thinking of what to do with my hands, the blowing of kisses into thin air, my t-shirt with 9 sheep, 8 white and one black, in the middle, overdosing on painkillers, talking to the painkiller bottle, telling it it’s nothing, I’m ok, just allergic to the universe tonight, thinking of solving that mathematical problem that nobody solved yet, winning the very much undeserved success and recognition, gazing out of the window, deciphering shadows in the darkness, the smudged mascara, the late night coffee (I know, I know, another blasphemy), dreaming of a bagel or a donut to go with it, then the silence, the dozing off, the semi-awake nightmares about not recycling enough and ruined trees and photosynthesis and, and… 

Monday, March 12, 2012

away away away from here


"Van Gogh writing his brother for paints
Hemingway testing his shotgun
Celine going broke as a doctor of medicine
the impossibility of being human
Villon expelled from Paris for being a thief
Faulkner drunk in the gutters of his town
the impossibility of being human
Burroughs killing his wife with a gun
Mailer stabbing his
the impossibility of being human
Maupassant going mad in a rowboat
Dostoyevsky lined up against a wall to be shot
Crane off the back of a boat into the propeller
the impossibility
Sylvia with her head in the oven like a baked potato
Harry Crosby leaping into that Black Sun
Lorca murdered in the road by Spanish troops
the impossibility
Artaud sitting on a madhouse bench
Chatterton drinking rat poison
Shakespeare a plagiarist
Beethoven with a horn stuck into his head against deafness
the impossibility the impossibility
Nietzsche gone totally mad
the impossibility of being human
all too human
this breathing
in and out
out and in
these punks
these cowards
these champions
these mad dogs of glory
moving this little bit of light toward
us
impossibly."

(Charles Bukowski)

Thursday, March 8, 2012

că nu își dă seama cînd se trezește ventuză pe sufletul lor.


It doesn’t interest me what you do for a living.
I want to know what you ache for, and if you dare to dream of meeting your heart’s longing.
It doesn’t interest me how old you are.
I want to know if you will risk looking like a fool for love, for your dreams, for the adventure of being alive.
It doesn’t interest me what planets are squaring your moon.
I want to know if you have touched the center of your own sorrow, if you have been opened by life’s betrayals or have become shrivelled and closed from fear of further pain! I want to know if you can sit with pain, mine or your own, without moving to hide it or fade it, or fix it.
I want to know if you can be with joy, mine or your own, if you can dance with wildness and let the ecstasy fill you to the tips of your fingers and toes without cautioning us to be careful, to be realistic, to remember the limitations of being human.
It doesn’t interest me if the story you are telling me is true.
I want to know if you can disappoint another to be true to yourself; if you can bear the accusation of betrayal and not betray your own soul; If you can be faithless and therefore trustworthy.
I want to know if you can see beauty even when it’s not pretty, every day, and if you can source your own life from its presence.
I want to know if you can live with failure, yours and mine, and still stand on the edge of the lake and shout to the silver of the full moon, “Yes!”
It doesn’t interest me to know where you live or how much money you have.
I want to know if you can get up, after a night of grief and despair, weary and bruised to the bone, and do what needs to be done to feed the children.
It doesn’t interest me who you know or how you came to be here.
I want to know if you will stand in the center of the fire with me and not shrink back.
It doesn’t interest me where or what or with whom you have studied.
I want to know what sustains you, from the inside, when all else falls away.
I want to know if you can be alone with yourself and if you truly like the company you keep in the empty moments.

the invitation, Oriah Mountain Dreamer